By Mark Driscoll
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Extra resources for Absolute erotic, absolute grotesque : the living, dead, and undead in Japan’s imperialism, 1895-1945
He polemicized that through the erasure of the world-making energy in human eroticism and life on one side, and the refusal to consider the ways systems and societies need to “grotesque” or capture this energy on the other, Yanagita’s methodology foreclosed on sociopolitical change. In other words, what is implicit in Minakata’s philosophy is that between the vital productivity of desire (the erotic), called “living labor” in Marx and “desiring production” in Deleuze’s and Guattari’s Anti-Oedipus (1983), and the violent usurpation of this desire by hegemonic power (the grotesque), called “anti-production” by Deleuze and Guattari and simply “capital” by Marx, lies an unresolvable war.
I ntroduction 7 izing” for those who still accept that idiom, the suffering of colonized subaltern laborers enduring existential states Mbembe (2003) defines as “being-in-pain” was its primary cause. In this sense, Japan’s imperialism was irrefutably modern; there was nothing late or lacking about it. But it was modern in many other ways as well. So in this book I link dialectically the necro-logic of expropriation—colonial pillage and capitalist profiteering, what I call, following the Japanese sociologist Akagami Yoshitsuge (1931), the grotesque—with the bio-logic of creative, desiring life, what I call, after Minakata and his followers, the erotic.
In part III, I show how necropolitics worked together with deformal subsumption to not only murder many Chinese in Manchukuo, but to wreak vengeance on the biopolitical subjects mainly responsible for Japan’s capitalist imperialism in the first place. Through deformal subsumption in colonial fascism, the subjectivities left to fare for themselves by biopolitical capitalism (coolies, sex workers, colonized renters) were de-ontologized and killed off by a necropolitical regime that succeeded in inverting and absolutizing living labor’s centrality for imperial capitalism.
Absolute erotic, absolute grotesque : the living, dead, and undead in Japan’s imperialism, 1895-1945 by Mark Driscoll