Aboriginal Music in Contemporary Canada: Echoes and - download pdf or read online

By Anna Hoefnagels

ISBN-10: 0773539514

ISBN-13: 9780773539518

First international locations, Inuit, and Métis song in Canada is dynamic and various, reflecting continuities with previous traditions and cutting edge techniques to making new musical sounds. Aboriginal track in modern Canada narrates a narrative of resistance and renewal, fight and good fortune, as indigenous musicians in Canada negotiate who they're and who they wish to be. made from essays, interviews, and private reflections via Aboriginal and non-Aboriginal musicians and students alike, the gathering highlights subject matters of innovation, instructing and transmission, and cultural interplay. person chapters speak about musical genres starting from renowned kinds together with kingdom and pa to nation-specific and intertribal practices corresponding to powwows, in addition to hybrid performances that comprise track with theatre and dance. As an entire, this assortment demonstrates how track is a robust software for articulating the social demanding situations confronted through Aboriginal groups and a good way to confirm indigenous energy and delight. Juxtaposing scholarly research with inventive perform, Aboriginal tune in modern Canada celebrates and severely engages Canada's shiny Aboriginal track scene. participants contain Véronique Audet (Université de Montreal), Columpa C. Bobb (Tsleil Waututh and Nlaka'pamux, Manitoba Theatre for younger People), Sadie dollar (Haudenosaunee), Annette Chrétien (Métis), Marie Clements (Métis/Dene), Walter Denny Jr. (Mi'kmaw), Gabriel Desrosiers (Ojibwa, collage of Minnesota, Morris), Beverley Diamond (Memorial University), Jimmy Dick (Cree), Byron Dueck (Royal Northern university of Music), Klisala Harrison (University of Helsinki), Donna Lariviere (Algonquin), Charity Marsh (University of Regina), Sophie Merasty (Dene and Cree), Garry Oker (Dane-zaa), Marcia Ostashewski (Cape Breton University), Mary Piercey (Memorial University), Amber Ridington (Memorial University), Dylan Robinson (Stó:lo, college of Toronto), Christopher Scales (Michigan country University), Gilles Sioui (Wendat), Gordon E. Smith (Queen's University), Beverly Souliere (Algonquin), Janice Esther Tulk (Memorial University), Florent Vollant (Innu) and Russell Wallace (Lil'wat).

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Additional resources for Aboriginal Music in Contemporary Canada: Echoes and Exchanges

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Dynamic and conservative elements of the tradition are detailed in later sections of this chapter as examples of resistance and renewal in the face of changing social contexts. Cultural Context of Dane-zaa Song and Dance Like the worldview of most Indigenous northern hunting cultures worldwide, the Dane-zaa worldview has a cyclical perspective that reflects the natural cycles of the world and the natural cycles of life, death, and rebirth. The Dane-zaa worldview is also based upon a belief that there is an interdependence between people, animals, and forces of nature and that people gain power by learning how to communicate with human and animal spirits and forces of nature (Ridington 2006a, 171; Ridington 1968, 91).

Language in the context of song and vocal style has been the focus of several other studies as well (Diamond 1998, Surmont 2004, TremblayMatte and Rivard 2001). The northern Dene have also collaborated with a number of ethnomusicologists in recent years in the study of traditional repertoires. Lucy Lafferty and Keillor (2009) have written about the Dogrib love and land songs, complementing Ogg’s work on Cree love songs; Beaudry’s (1992a) more anthropologically informed approach has focused on the prophecy tradition of Dene dream songs.

The group included Michael Sam Cronk, Franziska von Rosen, and myself. 9 Here, I use the term that Bruce Trigger coined for non-Indigenous populations in his groundbreaking book Natives and Newcomers (1985). 10 Curiously, several studies of residential schools have only passing reference to music. 11 In the United States Judith Gray and Charlotte Heth have also worked on hymnody. ” 13 Lederman has also contributed to the definition of “Métis” by writing numerous encyclopedia articles and through her one-woman show describing her fieldwork in Métis communities in Manitoba.

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Aboriginal Music in Contemporary Canada: Echoes and Exchanges by Anna Hoefnagels


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